Janice Gobey’s long obsession with fur continues in her latest exhibition Alchemy at the Alternating Current ArtSpace. Her art doesn’t need words. She works on connecting to people on a non-verbal level. She’d like people to feel the work more than view it in a logical, rational way. So pause for a moment, and take a look at the piece Vicious Cycle. Feel it.
Art is powerful in its non-verbal communication, allowing the viewer to think and bring their own discourse. But in sharing our views we may be able to clarify our thoughts, looking further, thinking deeper and seeing more. An attempt to breach the obscurity of a single image.
I see hands reaching, stretching out to touch pieces of animal skin and fur. It’s no longer recognisable what animal these were, nor what piece of body they once covered. They’ve been manipulated by man into nothing more than shapes and textures. This bit, soft and white. Another pink, the skin on the inside showing – more obviously something that was once living. They’ve been twisted, pulled and trapped into a circle. Those hands reaching, coming from off the canvas, were perhaps the makers – twisting that long strip of cured skin. Not any one person but the symbol of humankind twisting nature to their will. No longer do we fit into the circle of life, but rather we have created a cycle of death. As the title suggests it’s a ‘Vicious Cycle’.
The pastel palette softens the potentially gruesome subject, giving it a feminine beauty. An image comes to mind, from Charlotte Wood’s book ‘The Natural Way of Things’:
“By the end she wore a ragged skirt of rabbit bodies and clinking steel traps. Fur, steel, fur, steel. The flesh soon glued to the belt with blood, the heads and ears swung like heavy feathers as she moved.” In this book, the character Yolanda hunts for survival – a fight for life, a fight against mistreatment at the hands of men and the society that created it. Another vicious cycle.
With undergraduate studies in Psychology and Society, Gobey brings this understanding of people and, the world we live in, to her practice. She has explored women’s issues, particularly violence against women, as well as trauma and healing, and now her concern for global politics is explored in Alchemy. She grew up in Apartheid South Africa and is concerned with the resurgence of nationalism. Wishing for an alternative dialogue of peace, healing and tolerance. It seems there are a lot of vicious cycles where humans are concerned.
Perhaps by titling her exhibition Alchemy, she is sharing the desire for the ‘base material’ of human nature to be transformed into something more ‘noble’ – like lead turning into gold. It’s an impossible goal, but the study of Alchemy has led to discoveries in science. Perhaps in the study of the human condition there can be discoveries in peace and tolerance. A more hopeful thought, that doesn’t quite chase away the darker feelings I’m left with after viewing Vicious Cycle.